Go to Artist page. Warlugulong is a 1977 acrylic on canvas painting by Indigenous Australian artist Clifford Possum Tjapaltjarri. Its striking central fireburst depicts the Fire Dreaming site where Clifford Possum Tjapaltjarris mother, Long Rose Nangala, was born. He has had a book published dedicated to him and his paintings, 'The Art of Clifford Possum Japaltjarri', by Vivien Johnson. May 10, 2020 - Australian Aboriginal Artist. [9], This work excludes elements of several dreamings associated with country further south, which had been included in the painting created by Clifford Possum and his brother a year earlier. Clifford Possum Tjapaltjarri Clifford Tilmouth Colin Bird Colleen Wallace Nungari Connie Nakamarra Fisher Corinne Nampijinpa Ryan Cornelius Jungarrayi Spencer Cowboy Louie Pwerle D Dadu Gorey Nungarrayi Danny Japaljarri France David Angus Jungala Deborah Napaljarri Wayne Debra Nangala McDonald Debra Young Nakamarra Delores Furber Napaltjarri Chicago, Los Angeles and St Louis 1988, 'Clifford Possum Tjapaltjarri Paintings 1973-1986', retrospective exhibition at the Institute of Contemporary Arts, London; 1990 'l'ete . Encouraged by his brother Tim, Clifford Possum, who had already begun teaching woodcarving at the settlement, joined Bardons painting group, which later became the Papunya Tula Artists Company. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. Because everybody there all ready waiting. A founding member of Papunya Tula Artists cooperative, Clifford Possum Tjapaltjarri was one of the most important artists of the movement and among its most innovative practitioners. [citation needed]. 202 cm 337.5 cm. Four years prior to his birth, a harsh drought had compelled several groups of Aborigines into the Coniston area, producing tensions with local farmers who wanted the scarce water resources for their cattle. "Clifford is one of the most renown Aboriginal Artists of his time. Tjapaltjarri was chairperson of Papunya Tula Artists during the early 1980s. Clifford Possum Tjapaltjarri was born on Napperby Station about 200 kilometres north-west of Mparntwe (Alice Springs). Old people carry on this law, business, schooling for the young people. Between 1976 and 1979, Tjapaltjarri created a series of large 'map paintings' in which he portrayed these trails as deeds of title to his ancestral land. [5] A number of the men developed a distinctive style of narrative painting that, beginning around 1976, resulted in the production of several "monumental" works that included representations of both their traditional lands and of ceremonial iconography. Clifford Possum Tjapaltjarri died in Alice Springs on the day he was scheduled to be invested with the Order of Australia for his contributions to art and to the Indigenous community. There was legal controversy surrounding his burial, as his surviving family and community maintained he wished to be buried in a location different from that specified in his will. Allan, and his mother from Warlugulong, an area southwest of Yuendumu. On the stations, Tjapaltjarri roamed the land that had been home to 50,000 years of aboriginal people, displaced by the rapid colonization of the early 1900s. They been using ochres all the colours from the rock. Additional documents supplied by Central Australian . Clifford Possum Tjapaltjarri Australia Born: Napperby, Northern Territory, Australia circa 1932 Died: Alice Springs, Northern Territory, Australia 21 Jun 2002 Language group: Anmatyerr, Central Desert region Biography Clifford Possum Tjapaltjarri was born on Napperby Station about 200 kilometres north-west of Mparntwe (Alice Springs). Tim Johnson became interested in the Papunya Tula Artists after seeing an exhibition of their paintings in Sydney in 1977. Conditions were so bad during these years that Possums father perished from lack of water. Tjapaltjarri worked alongside many of Australias discrete indigenous cultures, mastering six Western Desert languages and absorbing a vast swath of the traditional stories of the Dreaming. View sold price and similar items: CLIFFORD POSSUM TJAPALTJARRI (c1933 - 2002) Corroboree, Naprerby Station acrylic on canvas 122 x 99.5 cm (stretched and ready to han. While his year of birth is considered to be approximately correct, the day and month remain undocumented. c.1932- 21 June 2002 This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). [6] The work, in fact, sold for $2.4 million;[7][8] the following day, it was revealed that the National Gallery of Australia had been the buyer. Copyright for artwork images on this website belongs to the artists or their estates. His brother was Tim Leura Tjapaltjarri, whose artwork appeared on another stamp. This iconic painting, 'Man's Love Story' 1978, was purchased by the Art Gallery of South Australia in 1980. Going, going, gone: The painting sold for $2.4 million. He began carving during the same period and had established a reputation as a craftsman before becoming one of the first men to take up painting at Papunya, a settlement established 240 kilometres north-west of Alice Springs in the 1960s. His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. The Gallery's purchase eased tensions of a rumoured Government legal intervention had the work been purchased by an overseas buyer, out of concern that significant indigenous art would be "lost" overseas. He is one of Australia's most distinguished and best-selling painters of the late twentieth century. [25] The Gallery considers the painting to be possibly the most important in its collection of Indigenous Australian art. There was legal controversy surrounding his burial, as his surviving family and community maintained he wished to be buried in a location different from that specified in his will. His brother was Tim Leura Tjapaltjarri, whose artwork appeared on another stamp. An Anmatyerr man, he was born on Napperby Station near Alice Springs and started his working life in the 1940s as a stockman. Possum received no formal education but knew six Aboriginal languages and a little English. He was selected by the Possum family to be a pall bearer at Clifford's funeral, a great honour he very much valued." Mr Knight featured in the media many times over the years - from when he bred an unusual foal that was shot from the Hume Freeway to winning a bet to ride a donkey over the Princess Bridge in the Melbourne. Clifford Possum Tjapaltjarri Aboriginal Australian (Anmatyerre), 1932-2002 Perentie Dreaming, c. 1986 Acrylic on canvas Signed in graphite to verso, unframed. The charcoal grey areas indicate the burnt-out country, and the white dots represent ash. He made a significant impact in 1971 and remained inarguably a noteworthy artist even after his death in 2002. Clifford Possum Tjapaltjarri - 14 Artworks, Bio & Shows on Artsy Artists Artworks Auctions Viewing Rooms Galleries Fairs Shows Museums Clifford Possum Tjapaltjarri Australian, 1932-2002 Follow 99 Followers Active Secondary Market Overview Works for Sale (14) Auction Results Featured Works Artist Name Artwork Title Partner Price Artist Name It lives at the National Gallery of Australia in Australia. In the late 1970s to the early 1980s, Clifford Possum was Chairman of this group and in 1990 presented the Queen Elizabeth II with one of his paintings. Get art in your inbox, The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country, First Nations Clifford Possum Tjapaltjarri (1932-2002) Collections: Artbank Sydney, Art Gallery of New South Wale Read More. Posthumously, Tjapaltjarri's works are drawing increasing attention. Tjapaltjarri had been a part of the Papunya art community for four years and was one of their most successful and respected artists, but it was his previous career as a stockman working on central Australias pastoral stations, or ranches, that made him uniquely qualified for the project. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. Purchased. In June he received the Order of Australia for his pioneering work in the development of the Western Desert Art movement, and was to be officially invested with the award on the day he died. Lungkata was the Bluetongue Lizard Man, an ancestral figure responsible for creating bushfire. Lawson Crescent Acton Peninsula, CanberraDaily 9am5pm, closed Christmas Day Freecall: 1800 026 132, Museum Cafe9am4pm, weekdays9am4.30pm, weekends. ABN 70 592 297 967|The National Museum of Australia is an Australian Government Agency, Utopia: The Genius of Emily Kame Kngwarreye, Old Masters: Australia's Great Bark Artists, Australia's Defining Moments Digital Classroom. He began carving in his late teens and had a reputation as a craftsman before the Papunya painting movement began. Bardon, who later described the settlement as an unsewered, undrained, garbage-strewn death camp in all but name, won the respect of the older men and encouraged them to paint their ancestral stories. [23] Warlugulong's buyer was the National Gallery of Australia, which purchased the work as part of its 25th Anniversary Gifts Program. Follow us on our social channels and learn about what AIE artists and their art are showcasing worldwide. Clifford Possum emerged as one of the leaders in this school of painting, which has come to be called the Western Desert Art Movement. Synthetic polymer paint on canvas. Albrecht from Hermannsburg Lutheran mission noticed that the young Clifford was suffering from severe malnutrition during one of these visits and arranged for him to be nursed back to health at the mission and then returned to his mother. Over 60 major paintings, all with detailed annotations and spanning more than two decades of his output, are reproduced in this volume. View our artist exchanges Lot includes the original bill of sale from Australian Aboriginal Dreamtime Gallery, 1990 and two photographs of the artist holding the painting.106.29 x 50.39 in. Intimate knowledge of the land had been passed down through generations of indigenous Australians through ephemeral sand drawings, but Tjapaltjarris transfer of these traditional maps to canvas with the paths and stories they contain can be read as deeds of title, reclaiming ownership of ancestral land. Similar to many Aboriginal artists of this time, he began his working career as a stockman on various cattle stations established on his ancestral country and later was employed in the construction of the Papunya settlement. (English) 1 reference. Tjapaltjarris mother also raised Billy Stockman Tjapaltjarri, whose own mother was a victim of the massacre. The artist's majestic painting Warlugulong (previously bought by the Commonwealth Bank for just $1,200) was auctioned by Sotheby's on 24 July 2007. This painting depicts the sacred Bushfire Dreaming story. He is and has always been regarded as the leading figure in Australian Aboriginal Art.Copyright Kate Owen Gallery May 2022, Copyright 2022 Kate Owen Gallery Pty Ltd. For service as a contributor to and pioneer of the development of the Western Desert art movement, and to the indigenous community through interpretation of ancient traditions and cultural values. Video excerpt from the ABC documentary 'The Exhibitionists' on Australian female artist Vivienne Binns. Mr Clifford POSSUM Tjapaltjarri. He refined his skill as a woodcarver while continuing to work as a stockman. [11], Created in synthetic polymer paint on canvas,[12] and a substantial 2 by 3.3 metres (6.6ft 10.8ft) in size, the work's title is taken from a location roughly 300 kilometres (190mi) "northwest of Alice Springs associated with a powerful desert dreaming". Colonial Australian Art. Clifford enjoyed a traditional bush upbringing and was given the name Possum by his paternal grandfather. Possums father was taken prisoner during the assault. Born in a creek bed on Napperby cattle station, Clifford Possum worked from late boyhood as a stockman. Other Aboriginal artists have incorporated western mediums into their work, such as Emily Kngwarreye, Rover Thomas, and Freddy Timms. His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. The painting illustrates the story of an ancestral being called Lungkata, together with eight other dreamings associated with localities about which Clifford Possum had traditional knowledge. Standing out among an exceptional cohort, these four selected artists deployed their inherited iconography while exploring the new poetic possibilities offered by paint on canvas. [18] Described as "epic"[19] and "sprawling",[20] Genocchio said of it that is "a work of real national significance [and] one of the most important 20th-century Australian paintings". Search instead in Creative? They put down all the story, same like I do on canvas. Watch David Norths remarks commemorating 25 years of the World Socialist Web Site and donate today. Warlugulong Hundreds of Aborigines were forced from tribal lands. [12] As of 2016, the work is on display in the National Gallery. Their works were mostly Tjukurrpa (Dreaming) stories, representing the creation of significant sites and landforms by ancestral beings along their paths of travel through traditional lands. This website comprises and contains copyrighted materials and works. Warlugulong is a 1977 acrylic on canvas painting by Indigenous Australian artist Clifford Possum Tjapaltjarri. After learning how to muster and brand cattle, he became a stockman at Hamilton Downs and then head stockman at Narwietooma station. (age70in2002), Basil P. Bressler (48portraits supported). A co-founder of the audacious Papunya Tula style and the first Aboriginal painter to be critically acclaimed by art patrons in Europe and North America, Clifford Possums life bore all the scars of poverty and racist oppression confronting Aborigines in central Australia in the 20th century. His work lives on through his daughters Gabriella Possum Nungurayyi and Michelle Possum Nungurayyi, successful artists in their own right, who continue to evolve and expand contemporary Australian indigenous art in layered maps of the Dreaming. His career as an artist began in the 1950's when he carved snakes and goannas. Clifford Possum Tjapaltjarri, Long Jack Phillipus Tjakamarra, and William Sandy are some of the best known Papunya artists. The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians. Clifford Possum was said to be a true master artist, his character, charisma, and total dedication to his art and dreamings, as well as his tireless promotion of his and his family's work has set a high standard in establishing this movement from its inception to the present day. In 1983 Possums Mulga Seed Dreaming won the 14th Alice Prize, an important breakthrough. Clifford Possum was already a woodcarver of reknown, and had been employed at Papunya School teaching woodcarving to the children and was Chairman of Papunya Tula Artists during the early 1980s. This large canvas (168.5 x 170.5cm) exceeded anything produced by the Papunya Tula artists, both in size and narrative complexity. Over 60 major paintings, all with detailed annotations and spanning more than two decades of his output, are reproduced in this volume. CLIFFORD POSSUM TJAPALTJARRI (AUSTRALIAN, 1932-2002) View catalog Sold: $11,000.00 Estimate: $8,000 - $14,000 November 19, 2022 10:00 AM CST St. Louis, MO, US Request more information Additional Details Description: Clifford Possum Tjapaltjarri Aboriginal Australian (Anmatyerre), 1932-2002 Perentie Dreaming, c. 1986 Acrylic on canvas Grandfather and grandmother, uncle and aunty, mummy and father, all that, they been carry on this, teach 'em all the young boys and girls. [23] The bank sold it by auction in 1996. Possum's parents were from the Anmatyerre people, and he was born in an isolated, dry creek bed, 200 kilometres northwest of Alice Springs, in June 1932. Carved snake (view from behind), 1973, Clifford Possum Tjapaltjarri, pigment on wood, 71 x 40 x 15 cm. WARLUGULONG 1977. (Art Gallery of New South Wales, 2004). While his year of birth is considered to be approximately correct, the day and month remain undocumented. Clifford Possum was the first recognised star of the Western Desert art and one of Australia's most distinguished painters of the late twentieth century. An established wood-carver and a skilled painter, in the early 1970s Clifford along with his brother Time Leura Tjapaltjarri joined the painting men which soon transformed into the Papunya Tula Artists. He was chairman of Papunya Tula Artists in the 1980s and received the Order of Australia in 2002. www.redrockgallery.net/pages/Clifford-Possum-Tjapaltjarri.html. Growing up, Clifford enjoyed a tradition bush lifestyle and was given the name Possum by his parental grandfather. This broad stretch of territory defined the diversity of subject matter in Clifford's paintings. /  Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. This was followed two years later by another London exhibition, which was favourably reviewed in the prestigious Artline magazine. Clifford Possum Tjapaltjarri was the most famous of the contemporary artists who lived around Papunya, in the Northern Territory's Western Desert area, when the acrylic painting style (known popularly as "dot art") was initiated. In between working as a stockman, Possum had begun carving wood. Realities Gallery in Melbourne then included the work in a major exhibition of Papunya Tula artworks. After his father's death in the 1940s his mother married Gwoya Jungarai, better known as One Pound Jimmy, whose image was used on a well known Australian postage stamp. In 1976, with the assistance of Tim Leura, he painted Warlugulong 1976, which he later described as his number one painting. Possum and Bush Tucker Dreaming, 1996 . Art lovers and collectors, both here and around the world, have held the Desert Masters in high regard, because of the efforts by individuals such as Clifford.Clifford passed away in Alice Springs on the 21st June 2002, after recently being recognised for his contribution to Australian Art and culture, by being made an "Officer of the Order of Australia". A book published dedicated to him and his paintings, all with annotations... His number one painting CanberraDaily 9am5pm, closed Christmas day Freecall: 026! Possum received no formal education but knew six Aboriginal languages and a little English on Australian female artist Binns! 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